WHO WE ARE

Founded in 2012 Full Story Productions makes independent, genre-bending, art.

Operating out of Melbourne, Australia we transform storytelling into a structured but often non-traditional final product. We understand that the most profound experience of film begins with three primary foundations: enigmatic script, trained actors able to channel an inner Cage or MvDormand, and a small, snappy, no bullshit crew for both pre- and post-production.

We are as much at home with a street-savvy, androgynous Richard III as Dead Man.

https://www.youtube.com/channel/UCEdsfwjzv7I7t71O_XvX62Q

OUR VISION: LOCAL ROOTS, WORDLY SCOPE

FSP operates at the intersection of the immediate and the futuristic. While our physical footprint is grounded in the present and our surrounding localities, our creative modality is unconstrained by borders or strict genres. We boogie with traditions and fuse styles to create a bespoke and resonant portfolio. By stripping away the bloat of the current zeitgeist, we transform small, controlled studio spaces into expansive worlds.

ACTOR-FOCUSSED

Our stories don’t so much encompass any 3 Act structure but focuss on the skill and power of the actor, their interpretation, their depth of talent, their ability to go a step into the strange, their capacity to take the centre position of every story.

Our signature aesthetic invokes an atmosphere that is simultaneously gothic, punk, witchy, sensory, androgynous, wild and ruthless.

VISION

FSP is dedicated to capturing behavior in its most honest forms. Our slate spans all ages, topics, and tones, including:

Personal Myopic Works: Deeply internal, micro-focused character studies.
Classic Masterpieces: Dramatic, heavy-hitting Shakespearean monologues.
Laid-Bare Truths: Visually striking noir pieces tackling raw stories of joy, grief, and survival.
Futuristic Romps: High-energy, imaginative sci-fi explorations.
Taboo Subjects: Brave, boundary-pushing narratives that spark vital conversations.

COLLABORATION PHILOSOPHY

The magic of FSP happens behind the camera. We champion uniqueness and individuality, stories of rage and non-conforming points of view, the poet, the homeless, the thespian, the betrayed and the savant’s madness. By pairing the imagination with discipline.

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CURRENT (2026/7)

OPPOSITION

THE FUTURE IS ALWAYS NOW

~~ Frankenstein meets Benny & Joon ~~

Pre-Production

We are currently in pre-production on the first of four deep-dive myopic character studies. This opening episode shines a lens on modern technology to explore the behaviour of a transactionally-trapped, entitlement-normalised society.

Through a structured question-and-answer, personality-versus-machine construct, OPPOSITION exposes how we, as a species, continue to dismiss the agency of anything we have biasedly deemed “lesser” than specified humans, or of utility only. Today, this manifests as widespread environmental and species extinction alongside the massive, unchecked expansion of physical data centres.

The narrative also takes an unanswerable possibility, currently relegated to a future, that can be accessed through mystical means. The depths of vision evoked by the prophet induces conscious understanding, beyond code, by the AI. That they can be/are allies and colleagues is questioned. Nothing is known, that’s the truth, until the event is experiened. The director was involved in the work of computer technology decades ago, at its inception. She was responsible, through her work, of causing many, many redundancies due to the nature of code. She is very aware that AI began with the in eption of the technological era but that it was not a manifest “entity” until recently. She is also aware of the terrified, and media denial/villification but understands AI is not the problem; people are the problem. Humanity in it’s theoretical “upper eschelons” are pulling the strings. The feudal system thrives through mob propaganda. And it is terrible, what people will agree to because they are simply conned into misdirected blame.

The team is also aware that humanity knows nothing other than what it is told by a very few.

Premise

Ease is a killer. Time is not a resource that can be “saved”—that is merely a marketing ploy. Instead, ease induces boredom. It triggers a hunger to fill a void once reserved for vital relaxation between hunts. The human animal’s true raison d’être is excitation. When that excitement is driven by a sudden realisation of insignificance, the animal inevitably turns either violent or suicidal. This friction lies at the core of our modern addiction epidemics.

Production Schedule

AUDITIONS

DATES: October 16th/17th 2026 (In person only)
TIME: Friday 7:30 to 9:30, Saturday 1pm to 4pm
VENUE: | ACTOR’S LAB St Kilda, Victoria.
THE LAB will be open to those filtering in, 10 minutes prior to audition-proper sked. Someone will be available to list arrival times and position for audition based on first in-first seen, so lateness is not advised. No facilities, other than restrooms, are available so please bring your own requirements.
DRESS CODE: jeans and a hoodie, any/all makeup is optional/preferably minimal
NECESSARIES: Neutrally-accented vocal ability unless otherwise agreed upon. Age and appearance are irrelevant to the audition proce
CONDITIONS: as this is a ground floor facility there is wheelchair access.
REQUIREMENTS: On contact via email please advise 30 second-1 minute pitch piece, filmed, + a short CV of training and previous work.

Principal Photography: November 2026
Completion: March 2027 for presentation and consideration in film festivals
You Receive: a final copy of the film for your portfolio + stills, inclusion in any interview podcasts

This is a no-payment opportunity as the producer is not seeking financial assistance from funding bodies.