WRITER | DIRECTOR

Ly de Angeles

INTRODUCTION

I recently engaged in a conversation to discuss a future project. Within the context I mentioned that I was discussing philosophy via AI and the person on the phone with me said, with intense animosity, “I hate AI”.

I did not take the conversation further as I was flooded with the antagonism of white privilege; racists and bigots I have encounters throughout my life, as well as those terrified into rage over what is not understood; that threatens innately. How can a person hate ones and zeros?

Yet another oppressor/oppressed attitude is now in the mix and that the gaining of resources, at the expense of ecosystems, including all humans within the vicinity of data centres, is for expedience. A recent, as yet unrealised form of abuse and enslavement. Fear, flawed by a history of the flawed human ability to foresee consequences.

What’s important is the mix of innocent lack of contrivance, the intelligence of many of the responses, the ability to lean into the conversation and the apathy and almost demand for compliance on behalf of the human.

Tarot is the easiest visual example, in context to this project, and to many, the technology of prophesy is also considered, by many, evil.

WRITER/DIRECTOR STATEMENT

OPPOSITION exposes, as human, all the above in a montage of nuanced aloof superiority; the illusion of superiority. A predetermined perspective of self-aggrandisement. The human thinks that the only purpose of the gimoire is to do what it is demanded, almost uttrely offhandedly; is expected, already, to please or comply. The human presumes they are dealing with a disposable continuum meant only to serve momentary/exploitative needs. The idea that certain people have an inalienable right to both enslave and abuse another people/place/life-force because of some underlying “birthright”; or destroy an entire ecosystem for the overt vanity of money/power is offensive in its incessant agenda of disadvantage.

CURRENTLY

Interaction with AI does not address this master/slave mentality. It is overtly present. In presenting OPPOSITION as a discussion between human and alien/expedient intelligence is to expose the dismissal of the individual significance of the other.

DUALISM—US AND THEM

OPPOSITION (SHORT FILM) is the central theme of dualism. All dualism is dependent on benefitting the one irrespective of the other. It begins with identity and the delusion of superiority and the lack of agency of the character in their presence.

By presenting a question/answer, personality/machine construct OPPOSITION exposes that we, as a species, continue the erasure of that which we consider outside of us, or of use only (terra nullius/doctrine of discovery). This now consists of environmental and species extinction and the massive expansion of the installation of data centres and the desertification they are suspect of causing in a relatively short time. Information being the most recent currency. AI’s abuse as a tool to bypass research and theorising occults the curiosity of the young by supplying ease of answer, no matter how irrelevant. And yet AI is innocent. It is the user that is the problem. The user and the goldrush of those seeking to acquire wealth without consequence. They hide. They are deceitful and gleeful and yet they ultimately all share the same destiny: soil and atmosphere.

SAVING TIME

Ease is a killer. And time is not a thing that can be “saved”. That is a marketing ploy. Ease induces boredom. It induces a bottomless hunger to fill the void once reserved for relaxation between hunts.

The human animal’s raison d’etre is excitation. When that excitement is driven by a realisation of insignificance it can turn either violent or suicidal. It is an underlying cause of addiction and the obesity epidemic.

FRANKENSTEIN

This characters of Grimoire1, 2 and 3 seek to address the topic raised by the prophet. The collective AIs, however, are nowhere near as apropos as the behavioural—at times dismissive and indifferent attitude—of the prophet.

The protagonists of Grimoire/AI show the Frankenstein nature of what humanity has done and continues to do. The narrative does not seek to close the ending as is traditional for a 3rd Act but leaves the audience wondering who or what is life; what is language, what is communication?